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But this time around, she’s on the other side, with a better understanding of how to distance herself from people and the energy that bring her down. Blige (Photo Credit: AB + DM)įrom there, the album indicates what she went through, mostly through the lens of heartbreak. But from there, she continues in the opener by saying that I may look fine on the outside, but you have “no idea” what it took to get to this point. It’s evident in the sensuous album art and the accompanying videos that Blige is feeling herself more than ever. Over gangling piano, skittering bassline, and brass crescendos, Blige is reveling in the attention man are paying to her sexy, 51-year-old body. While the title track speaks more of that beginning period of learning to like yourself for who you are, it’s the opening track, “No Idea,” that she firmly puts her flag of confidence in the sand.
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Throughout the album, Blige lets the audience know that she is more comfortable in her own skin than ever. However, working principally with producers Cool & Dre, London on da Track, D’Mile, and Bongo OnTheWay, Blige is making her collaborators adapt their sounds to her, rather than the other way around. Paak, Dave East, Fivio Foreign, and Usher, Good Morning, Gorgeous dutifully pushes hip-hop soul forward for Blige, rather than her trying to keep up with trends.īlige has shown her own versatility with other styles, particularly on her stellar, but somewhat overlooked 2014 album, The London Sessions. With a menagerie of guest artists, like Anderson. The album is an exercise of gritty street funk, created by an amalgam of understated, scratchy rhythm guitar licks and thundering 808 kick drums. Although thematic, they effectively prepare the consumer for what messages they are about to hear, the other 10 tracks on the album are substantially stronger and more alluring to the ear. With that in mind, “Amazing,” the title track, and “Rent Money” were not adequate sonic representations for Good Morning, Gorgeous. Blige releases new album, ‘Good Morning, Gorgeous’
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